If there was one huge Ten years After fan, back in the seventies, it was me.....I had all their LP's, saw them three times live in Amsterdam and Rotterdam, and stopped after their way to commercial album "Positive vibrations"....This is one of their first albums from 1968, where jazz/blues was played in a raw, uncondential way....I even thought of posting it over at The Leftovers, but this place is better for an album like this, i think!When Alvin Lee & Ten Years After were first invited to play in America by legendary rock promoter Bill Graham in 1968, they wanted to release an album to coincide with the tour. Their 2nd studio effort "Stonedhenge" was not yet complete, so it was decided to do a live album. The result was one of the best live recordings of the period, and it arguably remains as one of the best "Live Rock & Blues" albums ever! As indicated in my Visual History book on Ten Years After - when Alvin Lee first heard this album he thought "Well that's it, that is probably the best I'll ever play and there are going to be problems recording in the future because this encompasses just about everything the band can do". Fortunately things turned out much better for Ten Years After but, listening to UNDEAD, it quickly becomes evident that Alvin's initial concerns were not unfounded. This album absolutely "SMOKES" from the onset and the musicianship is remarkable throughout.Ten Years After were quite different from the other "2nd British Invasion" blues bands of the late 60's because they effortlessly fused jazz and blues, and that characteristic is exemplified in this album. "Woodchoppers Ball" and "I May Be Wrong, But I Won't Be Wrong Always" are absolutely stunning and every bit as impressive today as when they were originally recorded. A few critics later got some sort of perverse pleasure from claiming that Alvin Lee's guitar playing was "all haste and no taste", but none of that is remotely evident on UNDEAD. His highly accomplished and precise technique on the aforementioned two songs dances above, around & under any solos recorded by the other so-called "guitar gods" of the time. The four new tracks, comprised of material originally excluded due to vinyl record time limits, have made the remastered CD even better. "Spoonful" and "Crossroads" were, of course, played by almost all of the British blues bands and Alvin obligingly introduces "Spoonful" as a "Clapton - Howlin' Wolf number". But it's a treat to now hear TYA's own version of these tunes with Alvin's own inimitable guitar work. In the wonderful booklet that accompanies the CD, drummer Ric Lee describes the added "I Can't Keep From Crying Sometimes" as being, "a bit rough around the edges". Although it's not quite the polished version found on future TYA releases, it is very much a "diamond in the rough" - being an early and quite interesting 14 minute version of the song. The closer, "I'm Going Home", is only half the length of the famous Woodstock version that would emerge more than a year later - yet it is every bit as energetic, and perhaps even more so! Following Woodstock and the increased stardom that resulted, Ten Years After concert venues quickly changed from clubs to sports arenas and their music subsequently emanated from stacks of 100 watt Marshall amplifiers. In most respects, the individual talents and contributions of all four band members (as heard on UNDEAD) were lost forever in that "wall of sound". This is another reason why UNDEAD is so special, you can actually hear what a great keyboard player Chick Churchill is! I strongly recommended the other TYA re-releases ("Ten Years After", "Stonedhenge", "Live At The Fillmore East 1970" & "Cricklewood Green"). They all have bonus tracks and great new descriptive booklets authored by Ric Lee, with the original artwork plus several additional rare photos. But if you have not yet heard any of them, I suggest you start with UNDEAD ...It truly Rocks !!
01. I May Be Wrong, But I Won't Be Wrong Always
02. At The Woodchoppers' Ball
03. Spider In My Web
04. Summertime/Shantung Cabbage
05. I'm Going Home
- Alvin Lee - guitar, vocals
- Chick Churchill - organ, drums
- Leo Lyons - bass
- Ric Lee - drums
CD > FLAC
6 comments:
pass = peer57
http://www.putlocker.com/file/B3639E39AB218BAA
Yeah peer
Back in the day I was a fan and had all their early albums - Saw them a few times and they always hit the spot - It seems guys like you and I eventually got to jazz via these musical educators - I have most of their albums as d/ls but didn't have this ( vinyl in attic) - Woodchopper's Ball made me check out Woody Herman back then and who could forget the excitement of I'm Going Home's first appearance ...
Cheers
Yep, saw them back then. I remember the time when this was an album that everyone seemed to be playing, although the only LP I owned was Cricklewood Green (I used to live in Cricklewood) but that's long gone.
Many years, too many, since I last heard this, thanks Peer.
Too bad Alvin Lee passed away this year.........
Great stuff. Thanks Peer.
I used to play their albums incessantly, and tried to cop some licks from Alvin Lee - I'll get this to upgrade my 160 kb mp3 - thank you very much for the essay and the music!
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